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Thursday 18 September 2014

The Art of Improvisation


When it comes to my own movement practice, be it yoga asana, climbing, dance, making things or going out for a run, the holy grail is improvisation. Ido Portal is a big advocate of this and it's his 'Three I's' that have inspired me here....I've added the first I...


Intention
What do you need from your practice right now?
Regardless of what you actually do, if your practice is an expression of what is alive in you now, that practice will help you stay present during your time on the mat. That experience can serve as a model for practicing presence all day long. It will also satisfy you and thus help give you the impetus to practice again tomorrow. If you force yourself to practice because you think you should, because you didn't yesterday, or for any other more external reason, even the most technically polished poses will not answer your inner need for ease and wholeness

Isolation
Break down the patterns that make up the shape you are working towards, or the area of practice strength/flexibility/ease of movement that you want to work on.
Isolating the basic movement patterns and practicing them with care is like taking a daily shower. These movements will always be useful and will keep your system open and mobile.
Integration
Start to combine those basic actions by creating simple sequences that helps you address your movement patterns or the components of the particular posture you are working towards.
Improvisation
Uneducated improvisation is disconcerting: beginner dancers attacking an irish jig, your housemates experimental cocktail you are still trying to forget...Good improvisation is usually (there can be exceptions) grounded in strict theory that becomes plient when mixed with a little creativity. You have to know the technique behind what you are trying to do, then depart from it.
Once you learn how the big patterned movements work together in your body and where your limitations are you can start to improvise with sequences. What this means to you depends on the movement qualities you have developed and what you are working on now. It’s a personal thing. Everyone moves differently.
Work on finding that connection with the parts of you that meet the ground. When well grounded we may be still but the slightest impulse can initiate movement and breathing can adjust appropriately. Any unhelpful tension will stiffen us, fix the breath and take away the potential for free movement away.
Keep yourself in motion, keep working—this practice won’t give up anything easily, but it will reward your work and your curiosity and your commitment.
Take inspiration and instruction from class, ofcourse, but balance that with some healthy questioning of what you are told. You have as much intuition, self-awareness and self-knowledge as the next person. Use it. Trust your self! You are looking for freedom, not someone else’s idea of how your body should move. 

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